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000.I.PRESET_SYSTEM.pd
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#N canvas 130 23 963 684 10;
#X obj 340 230 vs-presets-gui \$0;
#X obj 214 485 expr~ $v1 && $v2;
#X obj 20 523 vs-audiodac-gui \$0 dac-one;
#A saved 75 1 1 2 1 1 25 0 0;
#X obj 14 191 vs-operator-gui \$0 \$0-operator-one;
#A saved 200 0 2 1 0 100 0 1 1 0 0;
#X obj 12 340 vs-operator-gui \$0 \$0-operator-two;
#A saved 100 0 0 1 0 100 0 0 1 5 0;
#X obj 14 12 vs-phasor-gui \$0 \$0-phasor-one;
#A saved 500 0 1 0;
#X obj 14 82 vs-phasor-gui \$0 \$0-phasor-two;
#A saved 0 50 0 0;
#X obj 337 13 cnv 15 360 170 empty empty empty 20 12 0 14 -4034 -66577
0;
#X obj 537 231 cnv 15 380 235 empty empty empty 20 12 0 14 -4034 -66577
0;
#X text 772 543 Derek Holzer;
#X text 772 592 [email protected];
#X text 772 567 Helsinki May 2019;
#X text 537 235 [vs-presets-gui] is a preset loading and saving system.
;
#X text 567 441 as well as start and stop playback of the scenes.;
#X text 347 128 Try storing different settings of waveform and harmonic
;
#X text 347 149 using [vs-presets-gui] below and then recalling them.
;
#X text 553 258 * Make sure to use \$0 as the creation argument!;
#X text 553 280 * You need only one in each master patch you use.;
#X text 554 351 * You can "save" your presets to a textfile and "load"
them.;
#X text 554 421 * SCHEDULER can be used to arrange presets in order
\,;
#X text 554 377 * TRANSITIONS can be used to edit crossfades between
;
#X text 569 396 presets.;
#X text 359 61 * Both operators are synced to the master.;
#X text 359 82 * Phasor-two modulates the phase of operator-two.;
#X text 359 103 * This causes an illusion that the circle is spinning.
;
#X text 359 41 * Phasor-one is the master oscillator.;
#X text 345 18 This patch on the left draws a circle using sine waves.
;
#X text 554 304 * The green arrows move between and recall presets.
;
#X text 554 328 * The red "store" button stores the info for each preset.
;
#X obj 423 509 cnv 15 200 60 empty empty empty 20 12 0 14 -4034 -66577
0;
#N canvas 561 66 450 300 wirelesssending 0;
#X obj 44 214 s \$0-phasor-one/frequency;
#X obj 44 187 t b f;
#X obj 46 92 hsl 128 15 0 127 0 0 empty empty empty -2 -8 0 10 -262144
-1 -1 0 1;
#X obj 43 112 mtof;
#X msg 43 53 22;
#X msg 79 53 44;
#X msg 116 53 120;
#X obj 244 214 s \$0-phasor-one/frequency;
#X obj 244 187 t b f;
#X obj 246 92 hsl 128 15 0 127 0 0 empty empty empty -2 -8 0 10 -262144
-1 -1 0 1;
#X obj 243 112 mtof;
#X obj 243 54 ctlin 1 0;
#X text 73 146 Set SMOOTH to OFF;
#X text 273 146 Set SMOOTH to ON;
#X text 73 162 in target abstraction;
#X text 273 162 in target abstraction;
#X text 41 17 FROM SAVED PRESETS/MIDI NOTES;
#X text 241 17 FROM CONTINUOUS MIDI INPUT;
#X text 83 250 Edit name of [send] object to include target abstraction/parameter
;
#X connect 1 0 0 0;
#X connect 1 1 0 0;
#X connect 2 0 3 0;
#X connect 3 0 1 0;
#X connect 4 0 2 0;
#X connect 5 0 2 0;
#X connect 6 0 2 0;
#X connect 8 0 7 0;
#X connect 8 1 7 0;
#X connect 9 0 10 0;
#X connect 10 0 8 0;
#X connect 11 0 9 0;
#X restore 465 540 pd wirelesssending;
#X text 431 515 Open for MIDI implementation;
#X connect 1 0 2 2;
#X connect 3 0 2 0;
#X connect 3 0 2 3;
#X connect 3 1 1 0;
#X connect 4 0 2 1;
#X connect 4 0 2 4;
#X connect 4 1 1 1;
#X connect 6 0 4 1;