| :--- | :--- | :--- |
| Aicher, Otl: Typografie; in: Eisele, Naegele: Texte zur Typografie | Zürich, Niggli |
| Archer, Ben: Eric Gill Got It Wrong; a re-evaluation of Gill Sans | typotheque.com/articles/re-evaluation_of_gill_sans | 15.07.2018 |
| Assheuer, Thomas: Unser inneres Afrika | zeit.de/2006/35/ST-Boehme | 28.03.2018 |
| Deck, Barry: Coke Light | barrydeck.com/portfolio-posts/coke-light | 16.12.2018 |
| Bauer, Konrad: Friedrich Die Zukunft der Schrift; in: Eisele, Naegele Texte zur Typografie, Zürich, Niggli |
| Bauhaus100 Weimar | bauhaus100.de/das-bauhaus/phasen/weimar | 14.02.2019 |
| Behrens, Peter: Von der Entwicklung der Schrift; in: Eisele, Naegele Texte zur Typografie, Zürich, Niggli |
| Bierut, Michael 13 Ways of Looking at a Typeface | itsnicethat.com/articles/michael-bierut-now-you-see-it-and-other-essays-on-design-publication-061117 | 5.4.2018 |
| Biľak, Peter Conceptual Type? | typotheque.com/articles/ conceptual_type | 13.06.2018 |
| Biľak, Peter: Type design in the 1990s, Demystification and re-mystification | typotheque.com/articles/type_design_in_the_1990s_demystification_and_re-mystification | 15.07.2018 |
| Biľak, Peter: We don’t need new fonts … | typotheque.com/articles/we_dont_need_new_fonts | 15.07.2018 |
| Bollwage, Max: Buchstabengeschichte(n): Wie Das Alphabet Entstand Und Warum Unsere Buchstaben so Aussehen | Graz, Akademische Druck- u. Verlagsanstalt |
| Bosshard, Hans: Rudolf Max Bill Kontra Jan Tschichold: Der Typografiestreit Der Moderne | Sulgen [u. a.], Niggli |
| Bringhurst, Robert: The Elements of Typographic Style | Seattle, Wash., Hartley & Marks |
| Britannica Geoffroy Tory britannica.com/biography/Geoffroy-Tory | 14.02.2019 |
| Båtevik, Arve; Rappo, François: Subtle Expression in Typography | arvebaat.com/francois-rappo.html | 12.06.2018 |
| Cinamon, Gerald: Rudolf Koch: Letterer, Type Designer, Teacher | US, Oak Knoll Press |
| Colizzi, Alessandro: The final act at Nebiolo: the quest for a universal typeface articles.c-a-s-t.com/forma-dattilo-modulo-nebiolos-last-efforts-to-produce-a-universal-typefac-aa965dc0bb9f | 16.07.2018 |
| Cordoba, Ricardo: Designing Books and Modern Typography | typographica.org/typography-books/book-review-recent-hyphen-reprints | 14.02.2019 |
| Debray, Régis: Socialism: A Life-Cycle | newleftreview.org/II/46/ regis-debray-socialism-a-life-cycle | 14.02.2019 |
| Designhistory Deconstruction designhistory.org/PostModern_pages/Deconstruction.html | 14.02.2019 |
| Designtagebuch Die neue Hausschrift von Volkswagen | designtagebuch.de/360-brand-experience-die-neue-hausschrift-von-volkswagen | 14.02.2019 |
| Dutch Type Library Twitter | twitter.com/ExquisiteFonts/status/999987553007751168 | 14.02.2019 |
| Eisele, Petra; Naegele, Isabel Texte zur Typografie, Zürich, Niggli |
| Emigre Keedy | emigre.com/Fonts/Keedy | 14.02.2019 |
| Ewen, Stuart: All Consuming Images, United States of America, Basic Books | 1999 |
| Fenton, Kevin: The New Typographer Muttering In Your Ear; in: Bierut, Drenttel, Heller, Holland Looking Closer 2, New York, Allworth Press |
| Frutiger, Adrian: Der Mensch und seine Zeichen, Wiesbaden, fourier | 2001 |
| Gerstner, Karl: Kompendium für Alphabeten; in: Eisele, Naegele Texte zur Typografie | Zürich, Niggli |
| Gill, Eric: An Essay On Typography, Boston, Godine |
| Hamilton, Mark The ad that changed advertising. | medium.com/theagency/the-ad-that-changed-advertising-18291a67488c | 14.02.2019 |
| Heller, Steven; Cassandre, A. M. The Meanings of Type | eyemagazine.com/feature/article/the-meanings-of-type | 12.06.2018 |
| Hoeks, Henk; Lentjes, Ewan The Triumph of Typography, Arnhem, ArtEZ Press |
| Ip, Helen: Twitter twitter.com/herroherren/status/847651762811027458 | 14.02.2019 |
| Huygen, Frederike: The Debate in Context; in: Crouwel – van Toorn: The Debate, Einhoven NL, The Monacelli Press |
| Interview in Frische Schriften/Fresh Type, Zürich, Edition Museum für Gestaltung |
| Cass, Jacob: Designer’s Most Hated & Loved Fonts | justcreative.com/2017/03/29/designers-most-hated-loved-fonts | 14.02.2019 |
| Janser, Andres: Mehr Schrift! in: Frische Schriften/ Fresh Type, Zürich, Edition Museum für Gestaltung |
| Johnston, Edward: Schreibschrift, Zierschrift und angewandte Schrift; in: Eisele, Naegele Texte zur Typografie, Zürich, Niggli |
| Kupferschmid, Indra: Twitter | twitter.com/kupfers/status/1039073735800774657 | 14.02.2019 |
| Laudenbach, Peter; Franck, Georg Wir erleben einen emotionalen Klimawandel | brandeins.de/magazine/brand-eins-wirtschaftsmagazin/2017/marketing/wir-erleben-einen-emotionalen-klimawandel | 08.04.2018 |
| Lupton, Ellen: Mit Schrift Denken: Ein Kritischer Ratgeber Für Grafiker, Autoren, Lektoren und Studenten, New York, Princeton Architectural Press |
| MacCarthy, Fiona: William Morris – beauty and anarchy in the UK theguardian.com/books/2014/oct/03/how-william-morris-beauty-and-anarchy-uk | 16.07.2018 |
| Mario Rampone Type Talks Interview, Fall 1989 | paulrand.design/life/interviews/1989-Type-Talks-interview.html | 14.02.2019 |
| McNeil, Paul: The Visual History of Type | istd.org.uk/blog/the-visual-history-of-type-paul-mcneil | 12.06.2018 |
| Meggs, Philip: Meggs’ History of Graphic Design, US, Wiley |
| Meggs, Philip: The Politics of Style; in: Bierut, Drenttel, Heller, Holland Looking Closer 2, New York, Allworth Press | Müller, Lars Homage to a Typeface lars-mueller-publishers.com/homage-typeface | 14.02.2019 |
| Naegele, Isabel; Eisele, Petra; Ludwig, Annette Neue Schriften. New Typefaces, Sulgen, Niggli |
| Pamminger, Walter: Konzeptionelles Buchgestalten, Göttingen, Wallstein |
| Porchez, Jean: François Nationality and Type Design typofonderie.com/gazette/post/nationality-and-type-design | 12.06.2018 |
| Poynor, Rick: Anarchie der Zeichen: Grafik-Design von den Achtzigern bis Heute, Basel, Birkhäuser |
| Poynor, Rick: Foreword; in: Crouwel – van Toorn: The Debate | Einhoven NL, The Monacelli Press |
| Poynor, Rick: Type and Deconstruction in the Digital Era; in: Typography Now: The Next Wave, London, Booth-Clibborn Editions | Purvis, Alston A Visual History of Typefaces and Graphic Styles Vol. 2, US, Taschen |
| Rappo, François: Schreib’s auf, verdammt, schreib’s auf! in: Frische Schriften/Fresh Type | Zürich, Edition Museum für Gestaltung |
| Renner, Paul: Die Schrift unserer Zeit; in: Eisele, Naegele Texte zur Typografie | Zürich, Niggli |
| Righthand, Jess: Postmodernisms New Typography | smithsonianmag.com/arts-culture/postmodernisms-new-typography-77489071 | 12.06.2018 |
| Rock, Michael: Beyond Typography | 2x4.org/ideas/42/ beyond-typography | 12.06.2018 |
| Rock, Michael: Fuck Content | 2x4.org/ideas/2/fuck-content | 24.07.2018 |
| Saturday Night Live Papyrus - SNL | youtube.com/ watch?v=jVhlJNJopOQ | 14.02.2019 |
| Shaw, Paul: The Digital Past: When Typefaces Were Experimental | aiga.org/the-digital-past-when-typefaces-were-experimental | 12.06.2018 |
| Smeijers, Fred: Counterpunch, London, Hyphen Press |
| Sowersby, Chris: Why We Need New Typefaces | medium.com/ @klimtypefoundry/why-we-need-new-typefaces-a5741f3f427d | 14.02.2019 |
| Spiekermann, Erik: Bauhaus-Schriften | sueddeutsche.de/kultur/ bauhaus-schriften-sie- wollten-buchstaben- aus-quadrat-dreieck-und-kreis-1.4109050 | 14.02.2019 |
| Spiekermann, Erik: Twitter | twitter.com/espiekermann/status/1045231875734867968 | 14.02.2019 |
| Spiekermann, Erik ÜberSchrift, Mainz, Schmidt |
| Stiff, Paul: Look At Me! Look At Me!; in: Bierut, Drenttel, Heller, Holland Looking Closer 2, New York, Allworth Press |
| Stössinger, Nina Twitter | twitter.com/ninastoessinger/status/1007399705343610880 | 14.02.2019 |
| Taschen Verlag FUSE 1–20 | taschen.com/pages/de/catalogue/graphic_design/all/06768/facts.fuse_120.htm | 14.02.2019 |
| Thieleke, Constanze; Barnbrook, Jonathan Doctrine/A New Typeface From VirusFont | slanted.de/eintrag/doctrine | 12.06.2018 |
| Transcript, in: Crouwel – van Toorn: The Debate, Einhoven, NL, The Monacelli Press |
| Tschichold, Jan: Die neue Typografie, Berlin, Brinkmann und Bose | Tschichold, Jan Die neue Typografie; in: Eisele, Naegele Texte zur Typografie, Zürich, Niggli |
| Tschichold, Jan: Noch eine Schrift; in: Eisele, Naegele Texte zur Typografie, Zürich, Niggli |
| Type Directors Club Massimo Vignelli, Our Typographic Conscience | tdc.org/news/massimo-vignelli-our-typographic-conscience | 12.06.2018 |
| Typolexikon Jan Tschichold | typolexikon.de/tschichold-jan | 14.02.2019 |
| Typotalks Interview mit Philipp Neumeyer | typotalks.com/news/2017/11/13/fragenziehen-6-interview-mit-philipp-neumeyer | 14.02.2019 |
| UCSB Art The Crystal Goblet | arts.ucsb.edu/faculty/reese/classes/artistsbooks/Beatrice %20Warde,%20The%20Crystal %20Goblet.pdf | 14.02.2019 |
| Ulrich, Ferdinand: A brief overview of developments in digital type design | medium.com/@fpeulrich/a-brief-overview-of-developments-in-digital-type-design-561d9e63a122 | 24.07.2018 |
| Vignelli, Massimo: Exhibition Opening Invitation, School of Visual Arts, New York | Voelker, Jean Ulysses; Glaab, Peter Read+Play, Mainz, Designlabor Gutenberg |
| Ditchling Museum of Art + Craft Underground: 100 Years of Edward Johnston’s Lettering for London | ditchlingmuseumartcraft.org.uk/event/underground-100- years-of-edward-johnston- lettering-for-london | 12.04.2019 |
| London Transport Museum Edward Johnston | ltmuseum.co.uk/collections/projects-partnerships/edwardjohnston | 12.04.2019 |
| You Work For Them What is a Humanist Typeface? | blog.youworkforthem.com/2016/06/01/what-is-a-humanist-typeface | 16.07.2018 |
| :--- | :--- | :--- | :--- | :--- | | unknown | Kapr, Albert/Fischer, Hans: typoart typenkunst, Leipzig 1973 | | © Bauer Types | http://www.ffmark.com/img/history/Futura.jpg | | © Bauer Types | The Monotype Corporation | Gutenberg Museum, Mainz | www.werbemonitor.at/medien/bilder/Artikel/aus_der_branche/futura/futura3.jpg | | unknown | https://www.booklooker.de/B%C3%BCcher/Verlag-f%C3%BCr-Schriftkunst-Heintze-Blanckertz-Hrsg+Die-zeitgem%C3%A4%C3%9Fe-Schrift-Juli-1929-Heft-9/id/A02a9ZZt01ZZ?zida899bcd64411bdcb311f1c16154a49c8 | | © Edward Fella | http://collections.si.edu/search/detail/edanmdm:chndm_2002-8-11?q=record_ID%3Achndm_2002-8-11&record=1&hlterm=record_ID%3Achndm_2002-8-11&inline=true | | © Rudolf Koch | Klingspor Museum Offenbach | https://www.typografie.info/3/uploads/monthly_10_2013/ccs-1-0-87394000-1382634600_thumb.gif | | unknown | Waldhaus Dolder | https://www.archithese.ch/assets/images/f/20389dfe-08b0-47cd-bacb-266bb6fdc212-e5517bef.jpeg | | unknown | Public Domain | Wikimedia Commons | https://de.wikipedia.org/wiki/Datei:Inschrift_der_Trajanss%C3%A4ule.jpg | | unknown | Public Domain | Wikimedia Commons | https://fr.m.wikipedia.org/wiki/Fichier:Piranesi-6033.jpg | | unknown | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Pieter_Neefs_I_and_David_Teniers_II_(Attr.)_-Interior_of_a_Gothic_cathedral_with_figures.jpg | | unknown | Public Domain | Rare Books Division, Special Collections, J. Willard Marriott Library, University of Utah | https://rarebooksnews.wordpress.com/2012/12/31/book-of-the-week-a-leaf-from-the-gutenberg-bible/#jp-carousel-331 | | unknown | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:The_Caxton_Celebration-William_Caxton_showing_specimens_of_his_printing_to_King_Edward_IV_and_his_Queen.jpg | | Marcantonio Raimondi | Public Domain | The Metropolitan Museum of Art | https://www.metmuseum.org/toah/images/hb/hb_19.74.1.jpg | | unknown | Public Domain | Wikimedia Commons, André Castelot | https://commons.wikimedia.org/wiki/File:FrancisIFrance.jpg | | Geoffroy Tory | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Champ_fleury_f46v_cropped.jpg#/media/File:Champ_fleury_f46v.jpg | | unknown | The Monotype Corporation | http://146.66.71.30/~paulshaw/wp-content/uploads/2014/06/Linotype-Garamond-Series-lores.jpg | | © Didier Descouens | CC-BY-SA-4.0 | Wikimedia Commons | https://de.wikipedia.org/wiki/Palazzo_Grimani#/media/Datei:Palazzo_Grimani_di_San_Luca_(Venice).jpg | | unknown | Public Domain | http://luc.devroye.org/RomainDuRoi-1692G.png | | Isaac de Caus | Public Domain | The Metropolitan Museum of Art | https://www.metmuseum.org/art/collection/search/347243 | | Hyacinthe Rigaud | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Louis_XIV_of_France.jpg | | © James Puckett | CC-BY-2.0 | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Baskerville_Type_Specimen(8224316062).jpg | | Giambattista Bodoni | http://luc.devroye.org/GiambattistaBodoni-ManualeTipografica-1818yy.jpg | | Jan Tschichold | https://d31td5fkd89rr1.cloudfront.net/historyImages/didot/didot_tschichold_750.png | | unknown | http://www.neoclassicism.us/Content/What_Is_Neoclassicism/ | | unknown | https://imgur.com/gallery/IwdPl | | Hamilton | http://members-only-beta-v0042.lettarc.org/extensions/LFA_beta/item.html?workID=lfa_type_0080 | | unknown | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Bild_Maschinenhalle_Escher_Wyss_1875.jpg | | Hamilton | Public Domain | University of Wisconsin Digital Collections Center | Hamilton Type Specimen | http://digicoll.library.wisc.edu/cgi-bin/SilverBuckle/SilverBuckle-idx?type=article&did=SilverBuckle.HamiltonWood.i0004&id=SilverBuckle.HamiltonWood&isize=M&pview=hide | | William Morris | https://www.kettererkunst.de/kunst/kd/details.php?obnr=411700977&anummer=456&detail=1 | | William Morris | © Jürgen Huber (Supertype) | from own archive | | unknown | Open Data Zürich | https://data.stadtzuerich.ch/dataset/sozialarchiv-wandervogel | | © Johann Adam Meisenbach | https://d1gn9jfso7kpav.cloudfront.net/wp-content/uploads/2018/11/2.jpg | | Otto Eckmann | University of Texas Architecture and Planning Library | https://blogs.lib.utexas.edu/aplhighlights/wp-content/uploads/sites/13/neue-formen-01.jpg | | Otto Eckmann | https://www.pinterest.com.au/pin/529102656208408721/ | | Peter Behrens | https://get.google.com/albumarchive/114630083066969872545/album/AF1QipNDzvgEhmf3qmGD-H5dsdzK33LPGf77MEjk5GJY/AF1QipOVjxZNNf1nEK3Y7I3RXUflnNsvkfAJFVurW16Y | | unknown | AEG Turbine Factory by Peter Behrens, 1909-10 | https://cdn.kastatic.org/ka-perseus-images/ebebd6f2d7d3e13c3200f710f807c2de185b4d76.jpg | | Edward Johnston | https://cdn.londonreconnections.com/2013/johnstonearly.jpg | | unknown | Public Domain | Wikimedia Commons | https://en.wikipedia.org/wiki/United_States_campaigns_in_World_War_I#/media/File:At_close_grips2.jpg | | unknown | CC-BY-SA 3.0 | © Bundesarchiv, Bild 146-1972-062-01 | https://de.wikipedia.org/wiki/Datei:Bundesarchiv_Bild_146-1972-062-01,_Berlin,_bettelnder_Kriegsinvalide.jpg | | unknown | © Ferdinand Ulrich | An early ad for Erbar-Grotesk in Archiv für Buchgewerbe und Gebrauchsgraphik, vol. 64, no. 2, Leipzig 1927 | Archiv für Buchgewerbe und Gebrauchsgraphik, Ausg. 64, Nr. 2, Leipzig 1927, S. 105, aus der Sammlung von p98a, Berlin | | unknown | Public Domain | Wikimedia Commons | https://de.wikipedia.org/wiki/Datei:StaatlichesBauhausTitelseite.jpg | | unknown | CC-BY-SA-4.0 | Wikimedia Commons | https://de.wikipedia.org/wiki/Plan_Voisin#/media/File:Plan_Voisin_model.jpg | | © Jan Tschichold | https://www.typolexikon.de/tschichold-jan/typografische-mitteilungen-elementare-typografie/ | | © A.M. Cassandre | https://www.christies.com/lotfinder/Lot/am-cassandre-1901-1968-nord-express-5720299-details.aspx | | © Herbert Bayer | bloomsburydesignlibrary.com/encyclopedia-chapter?docid=b-9781474246217&pdfid=9781474246217.ch-002.pdf&tocid=b-9781474246217-chapter21 | | Paul Renner | https://www.leanderriedl.com/journal/2018/8/6/the-typeface-for-our-time-paul-renner | | © Beatrice Warde | Public Domain | Wikimedia Commons | https://en.wikipedia.org/wiki/File:This_is_a_Printing_Office.jpg | | Eric Gill | The Monotype Corporation | https://d3atsf3fgek2rw.cloudfront.net/content/uploads/2015/10/In-1930-Gill-investigated-another-weight-of-the-Titling-Caps-by-drawing-over-a-proof-set-a-few-months-earlier-1002x1252.jpg | | Erich Meyer, D. Stempel AG | © Ilja Wanka | https://www.typografie.info/3/topic/34408-schriftmuster-tannenberg/ | | Charles Russell | Public Domain | Wikimedia Commons | https://de.wikipedia.org/wiki/Datei:Reichsparteitag_1935_Gro%C3%9Fer_Appell_28-1121M_original.jpg | | unknown | https://www.moviepilot.de/movies/triumph-des-willens | | Armin Hofmann | Public Domain | Wikimedia Commons | https://commons.wikimedia.org/wiki/File:Form_Farbe_Gewerbemuseum_Winterthur_1951.jpg | | © Max Miedinger | Helvetica | from own archive | | unknown | © Mark Mathosian | CC BY-NC-SA 2.0 | https://www.flickr.com/photos/markgregory/7651774934/ | | © Nebiolo, Aldo Novarese | http://indexgrafik.fr/wp-content/uploads/Aldo-Novarese-Forma-Nebiolo-1968.jpg | | © Wim Crouwel | © Ben Sutherland | CC BY 2.0 | https://www.flickr.com/photos/bensutherland/36487596733 | | © Herbert Kapitzki | HfG-Archiv, Museum Ulm | https://museumulm.de/wp-content/uploads/2018/05/Pressefoto-1-Mai-1968-Studenten-und-Dozenten-der-HfG-demonstrieren-vor-dem-Stuttgarter-Landtag-f%C3%BCr-den-Erhalt-der-HfG-Foto-Herbert-Kapitzki-HfG-Archiv-Ulm.jpg | | © Diana Davies | https://www.thenation.com/article/shes-beautiful-when-shes-angry-reveals-radical-ordinary-women-1960s-feminism/ | | © Herb Lubalin | https://fontsinuse.com/uses/21625/avant-garde-magazine-13 | | © Dan Friedman | https://www.artsy.net/artwork/dan-friedman-typografie | | © Jan van Toorn | http://indexgrafik.fr/wp-content/uploads/Jan-Van-Toorn-P.-Struycken-affiche-1974.jpg | | © Jamie Reid | from own archive | | © Jamie Reid | http://csjournal.ca/wp-content/uploads/2015/04/%D0%A0icture-11.-Jamie-Reid.-Concert-tour-flyer-of-Anarchy-group-travelling-UK.-London-1977..jpg | | © April Greiman | https://www.britannica.com/biography/April-Greiman/media/1080159/67511 | | © April Greiman | http://indexgrafik.fr/wp-content/uploads/april-greiman-sci-arc-affiche-19852.jpg | | © Norman Seff | https://cdn.shopify.com/s/files/1/0168/6168/collections/SusanKare_by_Norman_Seeff_3b58495d-8548-4729-935f-8e59843cadd5.jpg?v=1524169115 | | © Emigre | Letterform Archive | http://members-only-beta-v0042.lettarc.org/extensions/LFA_beta/item.html?workID=lfa_emigre_0011 | | © Barry Deck | from own archive | | © Emigre | Letterform Archive | https://assets.fontsinuse.com/static/use-media-items/56/55704/upto-700xauto/5980cf08/Rudy_Vanderlands_Emigre15_1990.jpeg?resolution=0 | | © David Carson | https://vijaybhudia.wordpress.com/2016/02/10/david-carson-interview/ | | © David Carson | Letterform Archive | https://pbs.twimg.com/media/DfV5a2qVAAAi6w4.jpg | | unknown | Seattle Public https://another29.exblog.jp/iv/detail/?s=5692225&i=200706%2F27%2F51%2Fd0079151_1292177.jpg | | © Neville Brody | from own archive | | © Letterror | from own archive | | © Frank Heine | https://documents.sessions.edu/eforms/courseware/coursegraphics/fundoftype_images/2011/remedy.jpg | | © Neville Brody | Autotrace Specimen | from own archive | | © Zuzana Ličko | https://www.typografie.info/3/Schriften/fonts.html/base-9-amp-12-r563/ | | © Erik Spiekermann | Meta Sketch | https://www.typografie.info/3/uploads/2ffdfa31100efb7ee539b52629124542.jpg | | unknown | from own archive | | © Luc de Groot | from own archive | | © Elliott Earls | https://www.elliottearls.com/wp-content/uploads/2015/01/DysphasiaPosterByElliottEarls-1-644x1024.jpg | | © Melanie Laccohee | CC BY-SA 4.0 | Wikimedia | https://de.wikipedia.org/wiki/Datei:Spice_Girls_live_West_MacLaren_1997.jpg | | © Jonathan Barnbrook | https://www.amazon.de/Typography-Now-Two-Rick-Poynor//dp/1873968612 | | © Berton Hasebe (Commercial Type) | https://typographica.org/wp-content/uploads/2015/01/1-Druk-Collection-Overview.png | | © Michael Bierut and Jessica Svendsen | https://www.pinterest.de/pin/220465344237537668/?lp=true | | © Michael Bierut and Laitsz Ho | https://www.itsnicethat.com/system/files/082016/57bc08da7fa44ce577000098/images_slice_large/Yale-School-of-Architecture-posters-Michael-Bierut_pink-full.jpg?1471940913 | | © Ludovic Balland | from own archive | | © Lamm & Kirch | http://lamm-kirch.com/wordpress/wp-content/uploads/2017/02/Lamm-Kirch_HowToFindTrueLove-Poster-840x1200.jpg | | © Balmer Hählen | https://www.balmerhahlen.ch/wp-content/uploads/bh-image-site-soiree-graphique-2.jpg | | © Crystal Zapata | Fonts in Use, Benoît Bodhuin | https://fontsinuse.com/uses/20619/bricktown-sound-dance-party |
