section-1-4.html

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<h2 class="underlined">Contents.</h2>

<ol>
	<li>
		<p>Great Preliminary Vortex—</p>
		<ol>
			<li>
				<p>Manifesto—I. <span>11</span></p>
			</li>
			<li>
				<p>Manifesto—II. <span>30</span></p>
			</li>
		</ol>
	</li>
	<li>
		<p>Manifesto—I. <span>11</span></p>
	</li>
	<li>
		<p>Manifesto—II. <span>30</span></p>
	</li>
	<li>
		<p>Poems, by Ezra Pound. <span>45</span></p>
	</li>
	<li>
		<p>Enemy of the Stars, by Wyndham Lewis. <span>51</span></p>
	</li>
	<li>
		<p>The Saddest Story, by Ford Maddox Hueffer. <span>87</span></p>
	</li>
	<li>
		<p>Indissoluble Matrimony, by Rebecca West. <span>98</span></p>
	</li>
	<li>
		<p>“Inner Necessity”: Review of Kandinsky’s book, by Edward Wadsworth. <span>119</span></p>
	</li>
	<li>
		<p>Vortices and Notes, by Wyndham Lewis—</p>
		<ol>
			<li>
				<p>“Life is the Important Thing.” <span>129</span></p>
			</li>
			<li>
				<p>Futurism, Magic and Life. <span>132</span></p>
			</li>
			<li>
				<p>Notes on some German Woodcuts. <span>136</span></p>
			</li>
			<li>
				<p>Policeman and Artist. <span>137</span></p>
			</li>
			<li>
				<p>Feng Shui and Contemporary Form. <span>138</span></p>
			</li>
			<li>
				<p>Relativism and Picasso’s Latest Work. <span>139</span></p>
			</li>
			<li>
				<p>The New Egos. <span>141</span></p>
			</li>
			<li>
				<p>Orchestra of Media. <span>142</span></p>
			</li>
			<li>
				<p>The Melodrama of Modernity. <span>143</span></p>
			</li>
			<li>
				<p>Exploitation of Vulgarity. <span>145</span></p>
			</li>
			<li>
				<p>The Improvement of Life. <span>146</span></p>
			</li>
			<li>
				<p>Our Vortex. <span>147</span></p>
			</li>
		</ol>
	</li>
	<li>
		<p>Frederick Spencer Gore by Wyndham Lewis. <span>150</span></p>
	</li>
	<li>
		<p>To Suffragettes. <span>151</span></p>
	</li>
	<li>
		<p>Vortex, Pound. <span>153</span></p>
	</li>
	<li>
		<p>Vortex, Gaudier Brzeska. <span>156</span></p>
	</li>
</ol>