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<!DOCTYPE HTML>
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<meta name="twitter:description" content="Flowtime.js is an open source framework for easily build HTML presentations or websites. It’s built with web standards in mind and on top of a solid full page grid layout powered by CSS3 hardware accelerated transition and comes with a complete set of Javascript API for deep customization.">
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<meta name="description" content="Flowtime.js is an open source framework for easily build HTML presentations or websites. It’s built with web standards in mind and on top of a solid full page grid layout powered by CSS3 hardware accelerated transition and comes with a complete set of Javascript API for deep customization.">
<title>Carte de Visite (CdV) — Portrait as Commodity in 19th Century Paris</title>
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<div class="ft-section" data-id="section-1">
<div id="/section-1/page-1" class="ft-page" data-id="page-1" data-title="A Presentation Framework by @marcolago">
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<h3>Carte de Visite (CdV) — Portrait as Commodity in 19th Century Paris</h3>
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<p>Presented By: Russell Gordon</p>
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<ul class="license">
<li>Content: <a href="http://creativecommons.org/licenses/by/3.0/" target="_blank">CC BY 3.0</a></li>
<li>Code: <a href="http://opensource.org/licenses/mit-license.html" target="_blank">MIT License</a></li>
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<p><a class="github-link" href="https://github.com/rugor/arth-439" title="Online Presentation" target="_blank">https://github.com/rugor/arth-439</a></p>
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<p><img class="stacked-center" src="http://upload.wikimedia.org/wikipedia/commons/5/55/Andr%C3%A9_Adolphe-Eug%C3%A8ne_Disd%C3%A9ri.jpg" alt="André Adolphe-Eugène Disdéri.jpg" height="480" width="293"><br><br>"<a href="http://commons.wikimedia.org/wiki/File:Andr%C3%A9_Adolphe-Eug%C3%A8ne_Disd%C3%A9ri.jpg#mediaviewer/File:Andr%C3%A9_Adolphe-Eug%C3%A8ne_Disd%C3%A9ri.jpg">André Adolphe-Eugène Disdéri</a>" by <a href="//en.wikipedia.org/wiki/Andr%C3%A9-Adolphe-Eug%C3%A8ne_Disd%C3%A9ri" class="extiw" title="en:André-Adolphe-Eugène Disdéri">André-Adolphe-Eugène Disdéri</a>.<br />Licensed under Public Domain via <a href="//commons.wikimedia.org/wiki/">Wikimedia Commons</a>.</p>
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<div id="/section-1/page-3" class="ft-page" data-id="page-3">
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<p><img class="stacked-center" src="http://upload.wikimedia.org/wikipedia/commons/2/20/Napoleon_III%2C_CDV_by_Disderi%2C_1859-retouch.jpg" alt="Napoleon III, CDV by Disderi, 1859-retouch.jpg"><br><br>"<a href="http://commons.wikimedia.org/wiki/File:Napoleon_III,_CDV_by_Disderi,_1859-retouch.jpg#mediaviewer/File:Napoleon_III,_CDV_by_Disderi,_1859-retouch.jpg">Napoleon III, CDV by Disderi, 1859-retouch</a>" by <a href="//en.wikipedia.org/wiki/Andr%C3%A9-Adolphe-Eug%C3%A8ne_Disd%C3%A9ri" class="extiw" title="en:André-Adolphe-Eugène Disdéri">André-Adolphe-Eugène Disdéri</a> - Photobibliothek, Switzerland. Licensed under Public Domain via <a href="//commons.wikimedia.org/wiki/">Wikimedia Commons</a>.</p>
</div>
</div>
</div>
<div id="/section-1/page-4" class="ft-page" data-id="page-4">
<h3>Role of the CdV as commodity —</h3>
<ol>
<li>Early utility patent derived from pre-existing technology</li>
<li>Rising Bourgeois class, an emerging market for affordable photography</li>
<li>Small size and low cost created new consumers</li>
</ol>
</div>
<div id="/section-1/page-5" class="ft-page" data-id="page-5">
<h3>Role of the CdV in determining viewer relations —</h3>
<ul>
<li>Taken in a photographic studio with props</li>
<li>Clothes were offered as costumes so that sitters could present their best — the CdV speaks to their aspirations</li>
<li>Physical act of sitting for the photograph is different than previous portraiture, more of the body is visible and posture/mannerisms can indicate class and/or profession</li>
<li>Size of the image is decreased, viewing area surrounding the subject increased, mobility of the image as object increased, cheap and quick to proliferate</li>
</ul>
</div>
<div id="/section-1/page-6" class="ft-page" data-id="page-6">
<div class="stack-center">
<div class="stacked-center">
<p><img class="stacked-center" src="http://upload.wikimedia.org/wikipedia/commons/c/ca/Nadar%2C_F%C3%A9lix_%281820-1910%29_-_Gioacchino_Rossini_%281792-1868%29.jpg" alt="Nadar, Félix (1820-1910) - Gioacchino Rossini (1792-1868).jpg" height="480" width="292"><br><br>"<a href="http://commons.wikimedia.org/wiki/File:Nadar,_F%C3%A9lix_(1820-1910)_-_Gioacchino_Rossini_(1792-1868).jpg#/media/File:Nadar,_F%C3%A9lix_(1820-1910)_-_Gioacchino_Rossini_(1792-1868).jpg">Nadar, Félix (1820-1910) - Gioacchino Rossini (1792-1868)</a>". <br>Licensed under Public Domain via <a href="//commons.wikimedia.org/wiki/">Wikimedia Commons</a>.</p>
</div>
</div>
</div>
<div id="/section-1/page-7" class="ft-page" data-id="page-7">
<h3>Role of the CdV in determining social relations —</h3>
<ul>
<li>Images were collected — rise of 'celebrity'</li>
<li>Some studios sold photos of their customers, i.e. they were collected apart from being accumulated as per custom</li>
<li>'Democracy' of the image</li>
</ul>
</div>
<div id="/section-1/page-8" class="ft-page" data-id="page-8">
<h3>Things to consider —</h3>
<ul>
<li>Reproducability (each photograph on the plate was still unique)</li>
<li>Disposability of the image and also what type of image, i.e. full body, with background scene, subject to constraints of technology</li>
<li>Tradeoffs occur for the mobility of the image in response to market demand (quality, size) — implications</li>
<li>Ability to accumulate images, make albums, and 'collect' — the role of the CdV in mediating social relations</li>
</ul>
</div>
</div>
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